eMusic

The World‘s 1st Music Rights Exchange

eMusic introduces the world‘s first fully regulated Web3 Music Rights Exchange, enabling global investors to trade in songs, albums and catalogs rights. Led by top industry executives with multiple successful exits.

78% of funding target

30

Units left

$20,000

Minimum investment

34

Days to go
To view the table of benefits in the current fundraising round, please click here
By: Tamir Koch
Angel Investment
Investment type:
Company Stage:
Category:
Finance

Highlights

Highlights

About The Company:

eMusic is a well-established company and the pioneer player in the online music industry, operating well before the rise of platforms like Spotify and Apple Music. The company boasts an extensive network within the music industry, encompassing musicians, music enthusiasts, users, record labels, technology companies, advertisers, and other key stakeholders.

The current funding round is aimed at investing in the company’s newest innovation - the World’s First Fully Regulated Web3 Music Rights Exchange, encompassing both its operational and technological infrastructure. The exchange is slated for launch in 2025 and will be regulated by the U.S. Securities and Exchange Commission (SEC).

eMusic has a substantial user database of over 50M users that passed through the website throughout its years of operations, and has formed strategic partnerships with Coinbase, the largest regulated exchange in the world with 110M users (about half in the U.S.), and Republic.com, one of the largest retail securities brokers in the world.

 

Innovation Highlights:

  • Democratizing Music Rights Trading with Blockchain Technology: eMusic is revolutionizing the music industry with the world's first fully regulated platform that enables the buying, selling, and trading of music rights, leveraging blockchain and Web3 technology. This allows global investors to participate in music rights trading, including secondary market transactions. eMusic is breaking the barriers of this traditionally exclusive market by opening it up to everyday investors, creating new opportunities for wealth generation in an industry once reserved for a select few.

 

  • Investing in one of the World’s Hottest Markets: The music rights industry has become a highly attractive investment class, with major financial institutions and investment firms pouring billions into music catalogs. In recent years, many iconic music legends like Bruce Springsteen, Katy Perry, and Justin Bieber have sold their catalogs to these major industry players. These assets generate stable, passive income through annual royalties, while their value often appreciates over time due to use in films, series, and commercials, making it one of the most dynamic and lucrative global markets today.

 

  • Comprehensive Music Platform for All Stakeholders: The platform benefits various stakeholders—investors, artists, creators, labels, and fans. Investors gain access to music assets, artists receive funding and fair royalties, and fans get unique engagement opportunities and exclusive content.

 

  • Strategic Leadership Team: eMusic is led by top executives from the tech and music industries, including Tamir Koch, a serial entrepreneur with multiple successful exits, and Richard Blackstone, a leading global music executive. Their expertise strengthens the company's market positioning and innovation.

Pitch

Pitch

The Need

The music industry has long been a lucrative but complex space, with music rights becoming a hot commodity in recent years. As the shift from physical sales to digital streaming has accelerated, new revenue streams have emerged, and the market for music catalogs has exploded. Large financial institutions and private equity firms are now recognizing the value of music rights as a stable, long-term investment. 

Over the past two years, major investment firms like BlackRock, Blackstone, and KKR, alongside industry leaders like Universal, Sony, and Warner, have invested billions in acquiring music catalogs, while many renowned artists have sold their music rights to leading investment entities. Notable deals include the music catalogs of Bruce Springsteen, Katy Perry, Justin Bieber, Leonard Cohen, Bob Dylan, Sting, Whitney Houston, and others, amounting to over $12 billion.

However, the traditional process of acquiring and trading music rights has remained largely inaccessible to everyday investors, often limited to industry insiders or major institutional players.

 

The Solution

The growing demand for transparency, accessibility, and liquidity in the music rights market presents a unique opportunity for innovative platforms like eMusic Rights Exchange. By leveraging Web3 technology (Coinbase Blockchain platform), eMusic offers a fully regulated marketplace that democratizes the ability to invest in music rights. Investors can now buy, sell, and trade shares of music rights—whether it be individual songs, albums, or entire catalogs—just as they would trade stocks or other financial assets. This gives investors direct exposure to the potential upside of a growing and dynamic industry, while also benefiting from diversified revenue streams generated by streaming, licensing, and other uses of music.

For artists, this means better control over their work and more equitable compensation. It gives them greater control over the sale and monetization of their music, enabling them to bypass traditional industry gatekeepers and decide how and when their work is used. Blockchain technology ensures fair and transparent royalty distribution based on actual usage, addressing long-standing issues with royalty tracking. Artists can also access new revenue streams by raising funds for future projects through crowdfunding, selling portions of future royalties, and monetizing back catalogs that may no longer generate significant income. Additionally, the platform fosters direct fan engagement, allowing artists to connect with their audience through exclusive content, NFTs, and other digital merchandise, creating deeper financial and emotional support.

 

benefiting artists, creators, labels, publishers, investors and fans:

What Makes This Exchange Unique?

  • The exchange allows the purchase of full rights to individual songs, albums, or even an artist’s entire catalog. Additionally, it will offer the option to create curated "baskets" like "80s Hits" or "Reggae Music."
  • It introduces a secondary market for music rights, enabling the buying and selling of rights between artists and other rights holders.
  • It offers a fair and efficient distribution of royalties to rights holders using digital means, with seamless integration into major existing streaming platforms.

How does it Work?

eMusic operates as a Web3-based platform that allows the trading of music rights in a regulated and transparent environment. This includes:

Music Rights Trading Platform:

  • The core idea is that the platform enables the buying, selling, and trading of music rights, similar to how stocks or securities are traded on traditional financial markets.
  • Rights to songs, albums, catalogs, or compilations are securitized, meaning they are turned into financial assets that can be traded on the exchange.
  • Music investors, fans, and others can purchase fractional ownership of these music rights, allowing them to earn royalties and profits from music sales, streams, and other revenue-generating activities.

 

Making buying and selling of music rights a simple process:

1. Investor browses through the various offerings that are for sale and sees the financial information about each deal. 

2. Click to buy it.

3. After identification (KYC if needed), Immediately buys the music rights using every common payment method.

4. Gets a certificate of acquiring the rights.

5. The transaction is recorded, and the investor starts getting royalties' payments, when distributed.

 

Royalties and Payments:

  • Royalties generated from music streams, sales, or other uses are recorded on the blockchain.
  • Pay-per-use royalty distribution ensures artists and rightsholders receive payments based on actual usage, rather than a shared percentage of revenue.
  • Investors who hold music rights through the exchange will receive royalties in proportion to their ownership.

Crowdfunding for New Music:

  • The platform allows for crowdfunding, where fans and investors can directly support new music projects by investing in future songs, albums, or tours.
  • Investors can earn a share of future royalties if the project is successful, creating a new avenue for artist financing.

Secondary Market for Music Rights:

  • In addition to primary trading (initial sales of music rights), the platform also features a secondary market.
  • This allows investors to trade their music rights with other investors, similar to how stocks are bought and sold after their initial public offering (IPO).
  • The secondary market increases liquidity and makes it easier to buy and sell music rights whenever the investor chooses.

Artist and Rightsholder Tools:

  • eMusic offers a complete suite of digital tools for artists, creators, and rightsholders. These tools help artists manage their catalogs, distribute music, and collect royalties.
  • Artists can also raise funds for new creations by selling part of their rights or future royalties directly through the platform.

Monetization of Back Catalogs:

  • Labels, publishers, and independent artists can use the platform to monetize older music catalogs that are no longer actively generating revenue.
  • By selling portions of their rights to investors, they can unlock the value of their existing catalogs.

 

Blockchain Technology and Security:

  • The exchange is built on Coinbase, one of the largest regulated cryptocurrency platforms, ensuring security and compliance with financial regulations.
  • Transactions, including royalty payments, are recorded on the blockchain, which adds transparency and reduces the risk of fraud.

 

Regulation and Approval:

  • The company has already submitted preliminary documents to the SEC and is working towards approval for launching a music rights trading exchange by 2025.
  • This regulation adds a layer of protection for investors, ensuring the platform complies with financial and legal standards.

 

Team

Team

Tamir Koch
CEO
Serial entrepreneur with 28 years of successful startup ventures in media and technology. Co-creator of Orca Interactive (sold to France Telecom); Dotomi (acquired by ValueClick), and Chairman of 7digital (acquired by Songtradr).

Richard Blackstone
Head of Artist Relations
One of the top music executives in the world. Former Chairman and CEO of Warner Chappell (Warner Music‘s publishing arm), Chief Creative Officer for BMG, and President of Zomba Records.

Noam Band
Head of Regulatory Affairs
One of Israel‘s top tech executives with experience in both public and private companies. CEO and Chairman of Algomizer (TASE: ALMO); GM Dotomi (acquired by ValueClick); VP Marketing at Nur Macroprinters (acquired by HP).

Jeff Van Driel
Advisory Board Member
General Manager of International Operations at Concord Music. Former CEO of Naxos of America.

Haggai Barel
Advisory eMusic Blockchain
Co-creator of Orca Interactive (along with Tamir). Currently CEO and Co-Founder of Deep Ltd and cofounder of ForumS, focusing on several blockchain initiatives, including eMusic Rights Exchange.

Financial data

Financial data

Updates

Updates

Currently there are no updates in this pitch

Time benefit
Investment From day 1 Until day 15 an addition of 5.00% of the the shares value
Investment From day 16 Until day 30 an addition of 3.00% of the the shares value
Investment From day 31 Until day 41 an addition of 1.00% of the the shares value
Amount benefit
Investment from an amount of $50,000 and up to an amount of $1,000,000 an addition of 5.00% of the the shares value

Example A

  • Investment of $51,000
  • On day 8 of the campaign
an addition of of the the shares value

Example B

  • Investment of $60,000
  • On day 23 of the campaign
an addition of of the the shares value

Example C

  • Investment of $60,000
  • On day 36 of the campaign
an addition of of the the shares value
An investor who makes an investment of $51,000 On day 8 of the campaign ill be entitled to additional shares at a rate of of the amount of shares that would have been issued to said investor had he not been entitled to any benefit
An investor who makes an investment of $60,000 On day 23 of the campaign ill be entitled to additional shares at a rate of of the amount of shares that would have been issued to said investor had he not been entitled to any benefit
An investor who makes an investment of $60,000 On day 36 of the campaign ill be entitled to additional shares at a rate of of the amount of shares that would have been issued to said investor had he not been entitled to any benefit
The financing rounds, made through the ExitValley platform, are in accordance with a model of statutory exemption from publishing a prospectus pursuant to sections 15A(A)(1) and 15A(A)(7) of the Israeli Securities Law - 1968.
Under this model, the disclosure of detailed information on the company and information about the investment in each round of financing are limited to not more than 35 investors, who are not qualified investors, and the round of financing is not in the format of an offering arrangement ("רכז הצעה"), as defined in the Securities Law.
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